A-freaking-men! There is no way Lucas had stuff planned in advance. I think he had some of the stuff in Jedi planned when he was making Empire but there is no way he really knew what he was doing with the prequels back when he was making the original trilogy and he certainly didn't have much of this stuff planned when he made the first (A New Hope) Star Wars film.
-Jason "I am really looking forward to JJ and Rian Johnson's take on Star Wars -- they are both far, far better storytellers than Lucas" Evans
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I loathe when anyone calls out Lucas as a bad storyteller. He has plenty of works that I will roll my eyes at, but I also have plenty of paintings that I'm happy to keep in the closet, and I'm not shabby with brushes.
American Graffiti, classic -- He wrote it
A New Hope (as Moonpie pointed out, SWASHBUCKLING!!!) -- He wrote it
ESB -- His story (If someone else writes your story, you are still the storyteller.)
Raiders of the Lost Ark -- His story
RotJ -- His story and screenplay
etc, etc...Raiders and the sequels were his stories, Star Wars were his. Two tales that captured the imaginations of multiple generations. There aren't too many others that have done that. Gene Roddenberry is one, but he had only on tale. My favorite storyteller (on screen), Rod Serling, still keeps minds active, but he struck out with later endeavors after Twilight Zone.
I think JJ does a good job of RELAYING a story, but I don't know about telling one. Lost got lost quickly, as an example. He kicked azz with Star Trek(s), but he didn't write them.
Q "Why do you like Duke, you didn't even go there." A "Because my art school didn't have a basketball team."
I'm backing off this statement in hindsight. After thinking about it a bit, JJ does exactly what a storyTELLER does, he relays the tale. He does a great job of it; I'm looking forward to seeing how he handles VII.
I don't back off my statements about Lucas, though. He also has the ability to relay a story well. American Graffiti and SW: ANH are classics. He directed those. He also has to take the blame for directing Jar Jar Binks, and telling his crappy story. But at least he was smart enough to tell much less of his story as time wore on. I think in Phantom Menace he was so dying to use all of the tools at his disposal that he obviously went overboard. Hell, if I had all those toys, I would too. Unfortunately, once he let loose, he could not reign it in...I think he tried. The problem was he set the benchmark so high with Menace, that even though it didn't work, it's hard to dial it back and keep continuity. He created his own sarlacc pit; he'll be stuck in there forever. The smart move would have been to step aside and hand off direction. But maybe, because Menace sucked soooo badly, he felt he couldn't, and needed to prove himself again. He hit a grand slam with A New Hope, and handed off the reigns for ESB. Maybe he thought he couldn't do that when his follow up direction sucked chunks, and went for a second and third chance.
Q "Why do you like Duke, you didn't even go there." A "Because my art school didn't have a basketball team."
I feel terrible and you are right, Lucas WAS a great storyteller. But, it has been about 30 years since he did anything worth a damn. I am not sure I will ever forgive him for the second SW trilogy or for Indy 4. Those were his ideas... and they were just terrible.
-Jason "and how anyone could criticize JJ as a storyteller is beyond me. He breathed new life into Star Trek and I loved MI:3 (the courage of that opening scene is truly impressive)" Evans
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Go on, take the money and run. Hooo, hooo hooo!
GL is just cashing in at this point.
Absolutely agree re: Trek. As a fan of the original series when it was on, the reboot is the only good Trek since the original went off the air. (Although forced Nemoy cameo plot lines kinda suck).
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Star Trek Into Darkness, and the fact that it sucked.
I would say "the critics are wrong!" except that they probably weren't that far off. Rotten Tomatoes' methodology just makes films in which the overwhelming number of critics give a rating of Meh-plus look like modern classics.
Wow... I mean, Into Darkness was not great but to put it on par with Phantom Menace... whew!
Look I am no great defender of ID. The ending was pretty awful and reviving Kirk from the dead just plain sucked (though it was fairly predictable). But, I enjoyed a lot of it and it was better than many of the previous Star Trek movies (at least 1/3rd and maybe half of the original cast set of movies were waaay worse than ID). It is worth noting that ID has a pretty strong 7.9 user rating on IMDB, which is an excellent measure of how "movie fans" feel about the film. By comparison, the 2009 JJ Abrams Star Trek reboot that almost everyone loves has an IMDB score of 8.0.
Phantom Menace has a pretty weak 6.6 from IMDB.
-Jason "but, to my original point, JJ Abrams credentials as a top notch storyteller are boosted by his handling of both Star Trek films and MI3 as well as his TV work -- Star Wars 7 is in good hands with him, I think " Evans
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I recently rewatched Star Trek Into Darkness. It's a pretty solid film about John Harrison. Then it gets caught up in the Khan mythology and completely falls apart. Benedict Cumberbatch, the palest person to play a character of Indian descent in film history, gets to be an outright villain for about 15 seconds on a ship and about 5 minutes on Earth.
JJ Abrams, top notch storyteller? He made a Star Trek reboot in 2009 that emulated Star Wars, which confirmed the opinion that he really wanted the keys to the other franchise. Now that he has those keys, the hot rumor about Episode VII is that he's doing... some kind of Search for Spock plotline for Luke Skywalker. Make up your mind, dude.
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